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Sometime back, around 1971, something strange started out to occur in the little town of Belmez de la Moraleda, Spain. Inside the modest home of Maria Gomez Pereira, what appeared to be a face begun to materialize on the hearth in her kitchen. Maria being superstitious, had her husband destruct it with a pick ax and lay new cement in it’s place. Approximately one week later, the face mysteriously reappeared. An interesting fact in regards to the home where the faces started to appear is that it is built on what was once the internetlocation of multiple graveyards. The most recent being that of a Christian graveyard and it is reported that even ancient Romans had at one point laid their dead on this site. As the faces continued to appear, word speedily disseminate and persons begun to line up outside Maria’s house. Sometimes up to five thousand people would line up to catch of glimpse of the Belmez ghost faces. The city council became involved and decisive to excavate the spot where the faces were appearing. Upon doing so, humane remains were found regarding nine feet from the surface. It was believed by numerous that after these remains were moved and given a proper burial, that the faces would stop appearing. This turned out to be a untrue assumption. The faces continued to appear, including faces of a littler size that resembled children. Nobody could explain incisively what was happening inside of this home. Teams of scientists and paranormal investigators swarmed the house and some non believers were sure that these “ghost faces” would be debunked quickly. They were wrong. Tests were done on the Belmez Faces and samples of the cement taken. These tests were capable to do away with the theories that somebody was plainly sneaking in and painting the cement. Besides that, the faces were appearing inside the cement, rather than on it. One of the scientists involved was cited as saying that the Belmez Faces were “the most essential paranormal happening in history”. Maria at last stopped attempting to remove the faces and for three decades now, they have continued to appear. People proceed to travel to the little village of Belmez to see them and the Belmez Faces carry on to be one of the biggest mysteries of our century. Most helpful customer reviews 52 of 57 people found the following review helpful. 48 of 53 people found the following review helpful. Because of Rod Stewart’s great success as a solo artist, the Faces always seemed like the other place to go to hear his music, and not the main event. But this box set puts it all in perspective. This was not Rod Stewart’s band at all. It was Ron Wood’s. Hearing all this music in one place, you are overwhelmed with his unbelievably great guitar playing–perhaps the most creative guitar in rock. He does it all: Riffs, rhythm, solos, bottleneck, and on a few cuts playing completely by himself for stretches of intense expressiveness, like a dog howling at the moon. When he’s called upon to be tender (like on many of Ronnie Lane’s excellent songs like “Richmond” and “Debris”), Wood is like a painter. But he’s also the driving force in hard rocking songs like “Miss Judy’s Farm” and “Stay With Me.” He never wastes a note! Where is this Ron Wood now? He has been absorbed into the Rolling Stones, but I cannot think of one lick in any of the Stones’ songs from the Ron Wood era where this amazing creative force gets a chance to breathe free. The Stones are Keith’s show, and Wood does…what? Play a nondescript solo here and there, or play second rhythm guitar behind Keith’s riffing. Don’t get me wrong, Keith is great, too. But Ron Wood’s talent is going to waste. After nearly 30 years, I wonder if he could even do this anymore. The image of the Faces as a sloppy band is also put to rest when you hear all the live cuts. I know, I know, the Replacements and other punk-era bands call the Faces their model. Sorry, you guys. You couldn’t keep up with this band for five minutes. The musicianship across the board is just too high. 19 of 19 people found the following review helpful. All told, this is a glorious testament to one of the best bands of the early seventies. Produced and compiled by Faces’ keyboardist Ian McLagan and dedicated to bassist Ronnie Lane, this is a labor of love from start to finish. While Rod Stewart was the focal point of the band, it was Lane who was the band’s heart and soul. Lane wrote or co-wrote a third of the tracks, including classics like “Debris,” “Last Orders Please,” “You’re So Rude” and perhaps my favorite Faces’ song, “Ooh La La.” In addition to the terrific music, the 64-page booklet is packed with photos, track-by-track info, a complete discography, an essay by David Fricke, and testamonials by artists as diverse as the Sex Pistols’ Glen Matlock, Slash and Rich Robinson, whose band The Black Crowes was greatly influenced by the Faces. There is also a touching tribute to Lane written by McLagan. This box set serves as a reminder of just how great a rock ‘n’ roll band the Faces were. Even if you already own their four studio albums, this is a must-have purchase. [Running time: Disc 1 - 77:43, Disc 2 - 79:12, Disc 3 - 74:26, Disc 4 - 76:30] VERY HIGHLY RECOMMENDED |
Yes, Sit On My Faces!!!!