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Howells Orchestral Works

November 28, 2011 by Pranav Patton

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Howells Orchestral Works

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Howells Orchestral Works

Howells Orchestral Works Pic

Howells Orchestral Works

Howells Orchestral Works Photo

Howells Orchestral Works

Howells Orchestral Works Picture

Howells Orchestral Works

Howells Orchestral Works Photo

Howells Orchestral Works

Howells Orchestral Works Pic


Most helpful customer reviews

7 of 7 people found the following review helpful.
52 For 1 CD is Ultimate bargan.
By bonerfly
This is a 2 CD set that combines Howell’s previously released Chandos Orchestral Works Volume 1 and 2.
Which makes this an Ultimate Bargain.
Because this is the most Glorious and Beautiful English orchestral and String music this side of Vaughan-Williams.
The recording is Spectacular as is expected from Chandos.
I won’t go into detail about the compositions or performance here. Instead go to the listings for the single CD editions where other reviewers have been more eloquent than I could ever be.
I do know what i hear though. This music is mostly Pastoral, Rapturous and Beautiful.
If you LOVE Vaughan-Williams, you will wonder why you’ve never given Howells a shot. Better late than never…Go Now and get this CD…

1 of 1 people found the following review helpful.
4an undiscovered corner of England
By jsa
Here’s a delightful mix of Herbert Howells’ orchestral music, all of which was written before he turned his attention to the ecclesiastical works for which he is best known. Howells came from the same region that produced Elgar, Vaughan Williams and Parry, and his early compositions reflect the English countryside and folk music traditions just as theirs did. That Howells was profoundly influenced by Vaughan Williams’ Tallis Fantasia, the premiere of which he attended in 1910, is very much in evidence here. Works such as “Paradise Rondel,” a quasi-rhapsodic piece with a prominent part for piano, and “Pastoral Rhapsody,” described by Lewis Foreman in his informative liner notes as a “glorious exercise in nature mysticism” could easily have been penned by Vaughan Williams. The same holds true for the early “Three B’s” suite (1914), which includes one of the most beautiful movements in the English repertory, a masterpiece worthy of George Butterworth. From the same period came “Three Dances” for violin and orchestra, another lovely work in the pastoral tradition.

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