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Music is one of the most powerful tools to set the mood for any occasion, so the sounds will commemorate your particular day must be given severe thought. Wedding music may be broken down into three categories: prelude, processional, and recessional. Prelude music will have to be soft selections of classical or instrumental jazz. Typically, the musicians will play when it comes to five to six pieces (or twenty to thirty minutes worth) while your guests are seated, followed by one while the mothers are seated. Choose from: Wachet Auf – Bach Next, the processional will include two pieces: one for the bridesmaids and flower girl, and one for you. When selecting these songs, think with regards to the rhythm speed, because you and your bridesmaids may unconsciously fall into step with the beat. Imagine the moment that you ultimately appear at the door of the church. What sounds will support to calm you as you take those introductory steps towards your future husband? Top selections include: Prelude no. 1 – Gounod Lastly, the recessional will get started with a joyous, declaratory song while you and your new husband walk back down the aisle. Musicians will proceed to play three to five pieces while your guests are excused from their seats. Favorite recessional selections include: Ode to Joy – Beethoven Now, how do you choose amidst these? Either borrow a classical cd from your local library or order one from Amazon, eBay or Walmart. The most frequent selections of wedding CDs are: “25 Wedding Favorites,” “Classical Wedding” by Craig Duncan, and “A Day to Remember” by the O’Neill Brothers, (Piano Brothers). Another option would be to listen to 30 second samples online at a service like Rhapsody, and then download or buy the ones you like. Most helpful customer reviews 20 of 20 people found the following review helpful. 16 of 17 people found the following review helpful. Handel’s Water Music Suites were composed for the King’s Wednesday evening excursions on the water. A separate barge was allocated to the musicians. Some 50 musicians played entertainment, an event to bring Venice to England. Some of Handel’s greatest melodies situate themselves into these three suites. Very courtly and often rooted in dance, these works represent Handel at the top of his game. Each suite is scored slightly differently: F major has oboes, bassoons, horns, and strings, while the D major adds trumpets, and the G major includes recorders and flutes; all have the standard basso continuo, well played on this recording. The chamber ensemble Academy of Saint Martin in the Fields has the right touch in all of these works, but as opposed to many performances, a general courtliness (one might go so far as to say stuffiness) is present in these pieces, giving a dignified grandeur, as opposed to the freneticism of other recordings. As is usually the case with Sir Neville Marriner, great lengths are taken to provide the public with the most scholarly performances of 17th and 18th century music; this CD is no exception. Aside from scholarship, the playing and the sound is beautiful and equally balanced. The acoustic of Wood Hall is dry enough so as to not make this chamber ensemble sound over reverberant. Really, all in all, if you want these Handel masterpieces on one disk, the recording is as good as any out there. 8 of 8 people found the following review helpful. |
A great performance