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| Most helpful customer reviews 9 of 9 people found the following review helpful. Most impressive, and popular, is the Late-Summer Nights, Op. 33, of which the opening No. 1, “Tranquillo,” and the No. 3, “Non troppo lento,” simply glow with a diffused warmth. This set of five pieces intimately reflects the voice of the composer, very much in the manner of Edward MacDowell’s “Woodland Sketches.” In the Three Fantasies, Op. 11, however, we hear hints of other voices: Brahms, Schubert, Dvorak, Sibelius. This does not detract from Stenhammar’s own distinctive originality; the muse of bygone masters only enhances what he has to say. The Sonata in G Minor, a full-blooded, passionate work, thrills by sheer bravura; and at its heart, the lyrically glorious second movement “Romanza.” The short Impromptu in G-flat is a Stenhammar gem, and the charming Three Small Pieces enchant, as well. Pianist Sivelov is in his element here: rough and ready, when need be, yet equally subdued and charming. The Naxos sound is exceptionally realistic, full and rich. [Running time: 57:44] 5 of 5 people found the following review helpful. |





