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Mozart Complete Piano Variations

November 15, 2011 by Marlon Campos

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Ludwig Von Beethoven is beloved all around the world and for centuries as one of our finest composers of classical music. In fact, students of a heap of dissimilar genres of music have studied his writings to get a glimpse of his musical talent for inspiration. And not just classical, I’m referring to jazz, fusion, rock, latin, etc. students before they left the classical scene to explore their person areas of expression.

So, the question arises, do geniuses need lessons or are they plainly born with innate capacity to play any instrument and express themselves freely, closely from birth? Well, history shows us that there have been a select few people who didn’t need much tutoring before being competent to recite, note for note, closely any tune they wanted. Some even could play the piano with both hands competently, but these are the exceedingly rare exceptions. The rest of us (as well as the geniuses) necessitated lessons.

Beethoven gave his primary performance at age 8 on the harpsichord but this was beneath duress from his father who exerted great pressure on his young son to create quickly.

At the age of 16, Ludwig already had somewhat of a reputation in Bonn, the city he was born in. He taught music lessons and kept concerts at aristocratic residences, as well as at court. His fervid harpsichord improvisations held his audience in finish awe. His keyboard playing capacity fused with his talent in composition generated impromptu variations on a theme that ought to have seemed otherworldly at the time.

Beethoven necessitated more and he sought the guidance of one of his widely known and esteemed contemporaries, Mozart, in Vienna. In 1787 Mozart found time to listen to him even though at that time he was exclusively absorbed by his work on the composition of Don Juan. The not-yet mature Ludwig brilliantly improvised on a theme suggested by Mozart, astonishing his entire audience. After having listened to him, Mozart said: ” watch out for that boy. One day he will give the world something to talk about”. Beethoven then started out taking lessons with Mozart, and later on studied with Haydn.

History shows us that Beethoven’s facility on the keyboard was each bit as invented as his originative compositions would later be revered. But, without intensive training and hours of exercise even Beethoven’s talent would have faltered, and the world might not have benefited from the volumes of pieces he wrote.

Think regarding that the next time you listen one of Beethoven’s nine symphonies or the sonata in C sharp, opus 27, number 2, better known as “The Moonlight Sonata.”


Mozart Complete Piano Variations

Titles: Sonata No. 1: Opus 2, No. 1 in F Minor * Sonata No. 2: Opus 2, No. 2 in A Major * Sonata No. 3: Opus 2, No. 3 in C Major * Sonata No. 4: Opus 7, E-Flat Major * Sonata No. 5: Opus 10, No. 1 in C Minor * Sonata No. 6: Opus 10, No. 2 in F Major * Sonata No. 7: Opus 10, No. 3 in D Major * Sonata No. 8: Opus 13, C Minor “Pathetique” * Sonata No. 9: Opus 14, No. 1 in E Major * Sonata No. 10: Opus 14, No. 2 in G Major * Sonata No. 11: Opus 22, B-Flat Major * Sonata No. 12: Opus 26, A-Flat Major * Sonata No. 13: Opus 27, No. 1 in E-Flat Major * Sonata No. 14: Opus 27, No. 2 in C-Sharp Minor “Moonlight Sonata” * Sonata No. 15: Opus 28, D Major.

Mozart Complete Piano Variations

Mozart Complete Piano Variations Photo

Mozart Complete Piano Variations

Mozart Complete Piano Variations Image

Mozart Complete Piano Variations

Mozart Complete Piano Variations Pic

Mozart Complete Piano Variations

Mozart Complete Piano Variations Photo

Mozart Complete Piano Variations

Mozart Complete Piano Variations Photo

Mozart Complete Piano Variations

Mozart Complete Piano Variations Image


Most helpful customer reviews

16 of 18 people found the following review helpful.
5Beethoven is the man!
By A
In a snobby music world, where editions like Durand and Henle are too quickly deemed top dog, it’s very nice to be able to find an edition like this one for so cheap. It’s the urtext, so one has a lot more confidence in this edition than say, the Schirmer edition. (NEVER buy a Beethoven Schirmer if you ever want to play REAL Beethoven!)

Beethoven is always a joy, and the top sonata in this volume is the Pastorale, of course! Get volume 2 if you want to enjoy op. 78 (a favorite) and the Waldstein.

4 of 4 people found the following review helpful.
1You get what you pay for and this is cheap
By SueTom
I ordered both this and volume II and ended up returning both. The printing was poor and difficult to read–the worst I have seen in any edition of printed music. The music was skewed on the page and parts looked distorted. The paper looked cheap too. Urtext aside, even my Schirmer edition is better, in terms of readability. I not only would never buy these again, I would think twice about buying any Kalmus edition.

For about $50 I bought the Henle edition, which is just beautiful and a pleasure to read. (This is not snobbery but the superior print quality simply improves my ability to learn these pieces.) This is a lifetime investment so it doesn’t pay to go cheap.

0 of 0 people found the following review helpful.
5Good
By Charkee
The book came swiftly in good condition. It would be nice however if these texts had an index showing the first bar of the sonata.

See all 3 customer reviews…


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